Thursday, March 10, 2011

"THE GONG SHORTS" CALL FOR ENTRIES!!!


The Gong Shorts – Interactive Short Films Competition & Event in
San Antonio, Texas

CALL FOR ENTRIES – No Submission Fee

Local comedian, Jade Esteban Estrada, MC’s the funniest short film competition in town - just send us your short films – no matter what they are – and we’ll play them on the big screen at the hippest, coolest theatre in town!

Hosted by: The Alamo Drafthouse & NiffNot Productions

MC: Jade Esteban Estrada

Date/Time: Monday April 18th, 2011 at 7:30 pm

Place: Alamo Drafthouse Stone Oak, 22806 US Hwy 281 North San Antonio, TX 78258

Cost: No submission fee for filmmakers; however theatre tickets for all attendees are $9. Filmmakers must be in attendance to win the Grand Prize.

GRAND PRIZE: $100!

HOW IT WORKS: Filmmakers may submit any film under 15 minutes long. We want it all – the good, bad and ugly! The better to laugh at or, hopefully, with! Films should be submitted on a playable dvd or blu-ray (one film per person). All films are played in the order they are received. Every film is guaranteed to play for 3 minutes, but after that the audience can call for the dreaded “gong” if they’re displeased. If the gong is struck, our intrepid host stops the film and the next movie begins. But don’t despair … if a film is gonged, filmmakers can re-work it and bring it back to see if the changes they’ve made have pleased the audience. This is a great way for filmmakers to try out new ideas, see their film on the big screen and observe how an actual audience responds.

PLEASE NOTE: Only the first 20 films will be screened. NiffNot is NOW accepting submissions and will stop taking submissions either once we’ve received our quota or immediately before the show begins, so get films in early! No pornographic entries please, but since we don't know what each month's film content rating will be, attendees should be advised that some material may not be suitable for all audiences.

SUBMIT ENTRIES NOW (first come, first serve!): Kimberly Suta, NiffNot Productions, 915 S. Alamo, San Antonio, TX 78205. Filmmakers must label their DVD’s with the name of the film, the run time, their name, phone number and email.

For more information go to: http://filmbaking.blogspot.com/ or email: niffnotproductions@gmail.com.

Wednesday, March 9, 2011

Seether Music Video Shoot Pics - The Country Song at Enchanted Springs Ranch

Shaun's Hobby Horse Named SparkleDick
In a pile of dolls


Lead Singer Shaun Morgan having fun on set

Jumpin for Joy


Richard with the Pirate


Clown bites the dust


Ken Barbie dies w/ a smile on his face
Llama says: Thou shall not pass!


The Shoot-Out


So this Alien walked into a bar...


"I need a Sunny D stat!"

Seether Fever


Worked the last few days as a P.A. for Seether's new music video for "The Country Song." You can check it out at:  http://www.seether.com/.  It's a great song. So working on my first "professional" set I discovered a few important things. One:  I like being my own boss. Working on someone else's project lacks a certain satisfaction. If I'm not personally passionate about it, what's the mothaflippin' point? Evidently I still have a problem with authority. I don't like being told what to do and, of course, I think I know a better way to do just about everything. Can't help it, I'm a Leo. It was strange being on a set and not being the one in charge. Two:  As my DP, Sean Maxwell, says, Directors do the least of anyone else on set. At least in this case it seemed true. To be fair, perhaps the preparation, which I didn't see, made it unnecessary for much to be conveyed on set. Still, the producer, Michelle Adney (who was awesome) seemed to be directing everyone, including the actors and band, far more than the director. Just not what I expected. The DP was a douche but I liked his camera work. But I loved loved loved the Band! I particularly felt an affinity for Shaun, the lead singer. He's just a stellar guy... passionate, intelligent, kind and sweet. Three: Working on a quick shoot like that where virtually everyone is a stranger lacks a huge element of what I love best about filming. There's a lack of cohesion, of family, of connection, and therefore fun. It's like the first day of school where everyone's trying to figure out who's who and where they belong in the mix, but by the time you figure it out, it's all over. Pointless. I much prefer working with a team of cast and crew that I'm familiar with. Fortunately on this set I got to work with my dear friend and collegue, Richard. We had a blast taking photos of all the actors dressed up in everything from a clown costume to an alien to Ken Barbie. Also got to meet a few cool new people, like local Dave Novak, who's in his own band with a very talented audio editor I know, Art Guillermo Jr. If you want to see a quick clip of the shoot, check this out:  http://www.youtube.com/watch?v=w_JyTgr7wFA

So what have I learned from this experience:  That I should have far more confidence in my skills as a director and producer. Sometimes it's hard for us to see ourselves as we really are, until we have examples of what we're not. Thanks Seether!

The Gong Shorts Comin' to Town!

Very excited to announce "The Gong Shorts" Film Contest at the Alamo Drafthouse (Stone Oak location) on April 18, 7:30 pm, hosted by comedian, Jade Esteban Estrada. Open to all filmmakers; no submission fee; Grand prize: $100. Come watch your film on the big screen, get audience feedback and have a laugh! More info on submission posted tomorrow.

Friday, February 18, 2011

Just a zany world called JiveTown!!!

So I know it has been forever since I've written on this thing. I suppose now's as good a time as any to get back into it. We've just launched the trailer and fundraising campaign for a new web series comedy called JiveTown, based loosely on my good friend Agosto Cuellar - a San Antonio celebrity, the man Tim Gunn dubbed "the Wild Card," his vintage store which is right next to my office, and the wonderfully weird world of Southtown (the arts community here in SA) that I've called home for the past decade or so. This is something special. I feel it in my guts. We've got an absolutely amazing cast and crew. Our leads Michael Sorrells and Theo Gutierrez were in the film that just won at the Austin Film Festival last fall, and we're working with phenomenal DP Sean Maxwell, who's been in the business for like 25 years or some shit... he knows everything about everything about shooting.. he's my mentor and probably one of the best in the business. You may know some of his work, like Breaking Bad, Friday Night Lights, Machete, Spy Kids, etc. etc. I'll go on.. oh yes I will.. but not tonight.. trying to take a little break and spend some down time with the husbunny. But please if you want to support something really different, really clever, funny and original, something made by people who are passionate about creating film and who want so very badly to see all the fabulous people that are part of this be able to live their dreams, then check this out:

www.indiegogo.com/JiveTown

Wednesday, May 5, 2010

Support your Local Artists!


     This may be obvious to some people, but not to others... it came up because I gave this advice just moments ago and thought it might be relevant.

It doesn't matter where you live, there exists a pocket of artists. It's important to support these artists. True they may not be filmmakers, but filmmakers need all sorts of artistic resources. And you never know who you're going to meet. I've been so lucky to have worked in San Antonio's Arts District, Southtown, and so I have a lot of artist friends and most of them are pretty talented and I've brought them in several times on various film projects. On Ekstasis, I hope to be able to involve Agosto Cuellar (designer/artist) and Eric Fonseca (film animation/artist) if I can. They are both brilliant. 

Artists are also your audience... these are the kinds of people who like films, especially independent films. Besides, we all know... connections are everything.. talent second. It's just how this world works. In my world, everything is neon and I have a pegasus as a pet. Unfortunately, we don't live in my world.

Go to art openings and film screenings and get to know your peers. There's always something going on and it usually involves free booze. Find something good in the calendar of your alternative paper tonight and enjoy!

Sunday, April 11, 2010

FEARLESS


Being in the film industry, I suspect, any part of the film industry, requires a large amount of fearlessness. As a writer, producer, director and actor especially you have to be willing to put out there, all those vulnerabilities we're much more inclined to hide. It is from this place, that I wrote the following last night:

Home sick and tormented by allergies, I’ve had little else to do but ponder and think and brew up crazy ideas. I started fantasizing this evening about what I could do to get people to notice me, to notice this story, this film, Ekstasis, that I'm dying to make. What grand gesture can I make... skydive off a bridge, perhaps? Jog across the country like Forrest Gump? Have a Gandhi fast where I refuse to eat until we get the money to make the movie? This last one proved the most unrealistic considering, with my blood sugar issue, I probably wouldn’t last more than 12 hours. So what can I do, I kept asking myself. Then it came to me... I can write. I can tell people how my unextraordinary existence has kept alive an extraordinary dream, a dream I think we all carry, of living our lives doing something we love.


Since I was little, I always felt different... not exactly special and not exactly cursed but somewhere in between. After my father abandoned my Mom and I when I was 3, leaving us with nothing more than a pool table and a puppy I had to give up because they didn't allow pets at the apartments we would have to move into, I can only imagine the anxiety my Mom must have felt - raising a child on a secretary's income while dealing with an increasingly debilitating disease, Multiple Sclerosis. I was ten years old when my stellar example of a father claimed I wasn't even his child, the stress of which caused my Mom to never walk again. My Grandma and I took care of her from that point on and there was more to worry about than what I wanted. I fell through the cracks of other people's lives and so I dreamed. It was my escape. I would make up stories and fantasies; I would live out other lives – glamorous, exciting lives. I was Barbie in a blue fur coat and a badass RV. I was Madonna in the Material Girl video. I was Jesse's girl. I was anyone and everyone but who I really was. And for some reason, I just always had faith that my dreams would one day come true, faith that something was going turn out right for me, even if it took a miracle.

I'm now 38-years-old and I still live in an apartment, unmarried, no kids, and although my life has taken many unexpected and uneventful twists and turns, I still believe in that miracle. Every dream I’ve had I’ve followed through to the bitter end… I've started and failed at more businesses than I’d like to admit. I’ve shopped around short stories, novels, scripts and children’s books ad nauseam but to no avail. My family thinks I'm nuts. I’ve been told I should just "grow up" and find a job with good insurance. Isn't that what everyone does? People don’t really believe in dreams these days, or so it seems – it’s not tangible, it’s not realistic, it doesn’t come with a 401K. Often times, when I ask people what it is they're passionate about, I’m met with a blank, empty stare. They’ve lost that spark, they’ve become the American Zombie and it's fear of becoming this that drives me on because I know that if you're not fully living, you're partially dying and the moment you give up on your dreams, you might as well pack your bags for the Underworld. I promised myself a long time ago, I’d go out fighting, if I live to be 100-years-old.

This time, this dream, of making a feature film – a story I wrote from the heart, from the pain of losing my Mom, has evolved into something special, not just to me, but to a group of amazing and talented folks who have been a part of this project for over a year now, and to our growing number of supporters. Ekstasis seems to really affect almost everyone who reads it, I think, because losing someone you love, knowing you would trade your life for even one more day, even minute, with that person, is something many of us have already experienced. It’s the kind of loss that eludes no one. So this dream has grown, and it feels so close now, just a breath away, like a snowflake on your tongue. It just seems so silly that something like money could keep us from it, especially when I know, just know in the depths of my soul, that if we could just get this script out there, that the right people would see the magic in this story, and the commitment our production team has in this project, and this dream would so seamlessly become reality.

Or maybe I should take another look at the Gandhi thing…

Kimberly Suta