Wednesday, May 5, 2010

Support your Local Artists!


     This may be obvious to some people, but not to others... it came up because I gave this advice just moments ago and thought it might be relevant.

It doesn't matter where you live, there exists a pocket of artists. It's important to support these artists. True they may not be filmmakers, but filmmakers need all sorts of artistic resources. And you never know who you're going to meet. I've been so lucky to have worked in San Antonio's Arts District, Southtown, and so I have a lot of artist friends and most of them are pretty talented and I've brought them in several times on various film projects. On Ekstasis, I hope to be able to involve Agosto Cuellar (designer/artist) and Eric Fonseca (film animation/artist) if I can. They are both brilliant. 

Artists are also your audience... these are the kinds of people who like films, especially independent films. Besides, we all know... connections are everything.. talent second. It's just how this world works. In my world, everything is neon and I have a pegasus as a pet. Unfortunately, we don't live in my world.

Go to art openings and film screenings and get to know your peers. There's always something going on and it usually involves free booze. Find something good in the calendar of your alternative paper tonight and enjoy!

Sunday, April 11, 2010

FEARLESS


Being in the film industry, I suspect, any part of the film industry, requires a large amount of fearlessness. As a writer, producer, director and actor especially you have to be willing to put out there, all those vulnerabilities we're much more inclined to hide. It is from this place, that I wrote the following last night:

Home sick and tormented by allergies, I’ve had little else to do but ponder and think and brew up crazy ideas. I started fantasizing this evening about what I could do to get people to notice me, to notice this story, this film, Ekstasis, that I'm dying to make. What grand gesture can I make... skydive off a bridge, perhaps? Jog across the country like Forrest Gump? Have a Gandhi fast where I refuse to eat until we get the money to make the movie? This last one proved the most unrealistic considering, with my blood sugar issue, I probably wouldn’t last more than 12 hours. So what can I do, I kept asking myself. Then it came to me... I can write. I can tell people how my unextraordinary existence has kept alive an extraordinary dream, a dream I think we all carry, of living our lives doing something we love.


Since I was little, I always felt different... not exactly special and not exactly cursed but somewhere in between. After my father abandoned my Mom and I when I was 3, leaving us with nothing more than a pool table and a puppy I had to give up because they didn't allow pets at the apartments we would have to move into, I can only imagine the anxiety my Mom must have felt - raising a child on a secretary's income while dealing with an increasingly debilitating disease, Multiple Sclerosis. I was ten years old when my stellar example of a father claimed I wasn't even his child, the stress of which caused my Mom to never walk again. My Grandma and I took care of her from that point on and there was more to worry about than what I wanted. I fell through the cracks of other people's lives and so I dreamed. It was my escape. I would make up stories and fantasies; I would live out other lives – glamorous, exciting lives. I was Barbie in a blue fur coat and a badass RV. I was Madonna in the Material Girl video. I was Jesse's girl. I was anyone and everyone but who I really was. And for some reason, I just always had faith that my dreams would one day come true, faith that something was going turn out right for me, even if it took a miracle.

I'm now 38-years-old and I still live in an apartment, unmarried, no kids, and although my life has taken many unexpected and uneventful twists and turns, I still believe in that miracle. Every dream I’ve had I’ve followed through to the bitter end… I've started and failed at more businesses than I’d like to admit. I’ve shopped around short stories, novels, scripts and children’s books ad nauseam but to no avail. My family thinks I'm nuts. I’ve been told I should just "grow up" and find a job with good insurance. Isn't that what everyone does? People don’t really believe in dreams these days, or so it seems – it’s not tangible, it’s not realistic, it doesn’t come with a 401K. Often times, when I ask people what it is they're passionate about, I’m met with a blank, empty stare. They’ve lost that spark, they’ve become the American Zombie and it's fear of becoming this that drives me on because I know that if you're not fully living, you're partially dying and the moment you give up on your dreams, you might as well pack your bags for the Underworld. I promised myself a long time ago, I’d go out fighting, if I live to be 100-years-old.

This time, this dream, of making a feature film – a story I wrote from the heart, from the pain of losing my Mom, has evolved into something special, not just to me, but to a group of amazing and talented folks who have been a part of this project for over a year now, and to our growing number of supporters. Ekstasis seems to really affect almost everyone who reads it, I think, because losing someone you love, knowing you would trade your life for even one more day, even minute, with that person, is something many of us have already experienced. It’s the kind of loss that eludes no one. So this dream has grown, and it feels so close now, just a breath away, like a snowflake on your tongue. It just seems so silly that something like money could keep us from it, especially when I know, just know in the depths of my soul, that if we could just get this script out there, that the right people would see the magic in this story, and the commitment our production team has in this project, and this dream would so seamlessly become reality.

Or maybe I should take another look at the Gandhi thing…

Kimberly Suta

Saturday, April 10, 2010

Fundraising Website

For fundraising on a smaller scale for your film project, check out this website:

kickstarter.com

It's free to set up but they do take 5% of your total take-home if you reach your project goal, also Amazon who the credit cards get process through take an additional (approximately) 2%. Still it might be a better option that building your own website for the same purpose.

Friday, April 9, 2010

And More...













Mo' Party Pics



Demo Party Perfection!


The demo party went off without a hitch. It was a gorgeous night with a great turn-out and a wonderful vibe. We had wine from Don's and Ben's, Chocolate from Chocolade Chocolate Factory (which was a huge hit), and cheese and crackers. Some of my favorite industry peeps came out to support - Janet Vasquez from the SA Film Commission and Veronica Hernandez of NALIP, as well as an array of filmmakers, lovers, actors, supports and students. We couldn't have asked for a better evening. DJ Agosto Cuellar spun some wicked tunes, as always. Most importantly, everyone seemed to really enjoy the Demo... a few potential investors asked for prospectus packages and we closed out the night with a bottle of tequila and a mini dance party. Was truly a spectacular evening! Thanks everyone! I'm including some pics for your viewing enjoyment. 

Monday, March 29, 2010

Promoting Your Film by Monkey Osmosis

Any chance you have to promote your film, take it. Sometimes it's a lot of effort for little return but you never know when you might just tip the scale with that one person. You know the story of 100 monkeys? Once 100 monkeys on one side of the island know how to peel bananas.. all of a sudden all the monkeys on the island know how to peel bananas.. by some kind of Monkey Osmosis.

This week we're having a "demo" party.. to screen the demo of the film (aka proof of concept that we shot to entice investors), maybe raise a little money, and primarily, get the word out. It's given us an excuse to send out press releases, post on our Facebook Fan page, send out emails and essentially just get people excited about the film. We got an article in the Examiner.com out of it, so...so far so good! With enough persistence you can find sponsers for events like this. It gives them a chance to promote their stuff to a new audience and of course you want to offer them as much credit as possible.. on your website, if you have one, that kind of thing. Unfortunately, we only had a month to plan so it was hard finding sponsors for this event, but we were lucky enough to get Don's & Ben's to donate a case of wine and some tasting chocolates from Schakolad Chocolate Factory. Add a little cheese and crackers, some sweet music by our friend and fashionista by day, DJ by night, Agosto Cuellar and you have yourself a lovely little shin-dig!

Here's the links, if you want to check out the demo and the article:

Demo:

http://www.vimeo.com/9591867


http://www.youtube.com/watch?v=_2dHYQsR6v4 (Watch this version if you use a Mac or have trouble with the previous one.)

Examiner Article:

http://www.examiner.com/examiner/x-33520-San-Antonio-Film-Industry-Examiner~y2010m3d16-Local-SA-Feature-Film-Production-Ekstasis-Sets-Sights-for-Big-Time

Friday, March 26, 2010

Networking


I was just thinking how important it is to take risks in life... not risks like skydiving, although I admit I've been thinking about that one again lately. Have I gotten to the age where that's just off the table? Flip that! So... it's on the table but kind of far away. Still risks are necessary - all the ways that we risk ourselves - our emotions, our ideas, our insecurities. I love, truly love, the idea that mistakes are how we grow. I love it because I think it's true. You have to risk being wrong to get it right. Right? How many times have I heard that it took what's his name... um...lightbulb guy.. shiz... I'm gonna have to google this, be right back.. okay.. it was Thomas Edison, but now I find out he didn't even technically invent the first lightbulb.. he invented a version of one and looks like he used some other guy's invention to work off of. And I couldn't find out how many times it took him to do it. But I think by now you get what I'm saying. The guy had over 1,000 U.S. patents. Not all of those were genius, you can bet on it. But if even one... Oh and another interesting tidbit - he was friends with Henry Ford. So risks. Which brings me back to the topic for today and that's Networking.

Networking is a vital, sometimes annoying aspect of the film industry, most industries, I'd imagine, especially one where you're trying to get people to look at your ideas and think it has at least a modicum of promise to it. It always comes down to sales. You're trying to get people to believe, not just in what your selling, but in you. Networking is how people find out about you... otherwise, you're just like any other shmo writing your version of Star Wars locked away in your bedroom with incense and a poster of Harrison Ford up on the wall. (No, really, that wasn't me!)

For people to believe in you.. you have to believe in you. And that can be hard sometimes.. I'm a doubting Thomas (but not Edison) when it comes to my own ideas. What I'm learning is just to focus on having fun, relaxing and having a good time, then I'm more myself and feel more comfortable sharing naturally. When I'm nervous I over-analyze, stress and contract and then everything probably comes out forced. I think it's also good to trust that the right people for your project will come... and the ones that don't work out, well then they just weren't right. Yes, everything does happen for a reason, even what we call the bad stuff. Networking can and should be fun, so enjoy getting to meet new people, regardless of their role in your life. Everyone has a gift for you and you a gift for them if you take time to find out what it is.

Today I got a chance to meet with the San Antonio Film Commission Director, Drew Mayer-Oakes, for lunch. From afar, he's always been a little intimidating, but again, I decided I would go into the meeting with an open mind and an open heart and it ended up being a really interesting, informative and even fun experience. It's just always a lovely time meeting people that share a passion for what you love. Where will it lead? Who knows and who cares. The point is put yourself out there and trust the universe to do the rest. Also a quick shout-out to the wonderful Janet Vasquez of the SA Film Commission!

Best of luck to all of you on your creative journey!

Wednesday, March 24, 2010

The Offer Letter to "Named Actors"


So we're approaching different "named" actors about a few of the cameo roles we have. It's a tricky thing approaching an agent (I mean shark) for a well-known actor when you don't really have any money yet for the project. Of course if we could get a named actor attached to the project it would make getting the money a lot easier, or so I presume.. bit of a catch-22, but then Hollywood seems rife with those. So I'm basically not telling them we don't have the money. I guess it's not exactly lying because they haven't asked either. I'm including (below) the letter we sent to actor/comedian (one of my all time favs, in fact) Eddie Izzard, who I'm offering the part of Martin - the gay art rep. Haven't heard back yet but I'm not holding my breathe.

March 15, 2010



Scott Schatchter
ICM
10250 Constellation Blvd.
Los Angeles, CA 90067

Re: Eddie Izzard
Dear Mr. Schatchter,
Please accept this letter as an offer to Eddie Izzard for the cameo role of “Martin” in the independent feature film, Ekstasis. I have admired Mr. Izzard’s comedic talent since ‘cake or death’ and have since developed a deep admiration for his acting talent after seeing his work in The Riches, one of the best (and sadly under-appreciated) series ever to grace the television. Although I highly doubt the role of Martin will be a terribly challenging part for Mr. Izzard, it will give him plenty of latitude to ply his comedic genius and breathe some real depth and authenticity into a character that could be played too stereotypically by the wrong actor.
Shooting will require one, possibly two days. Although we are still ironing out specific dates, we should begin principal shooting in June 2010 in the San Antonio/Austin, TX area. We will certainly try to work around any scheduling conflicts he may have. We have budgeted $5,000/day plus travel/expenses for him but there may be a little latitude here. Please let me know if he has any specific requirements.
I understand Mr. Izzard is of the caliber of actor who can pick and choose which projects he is interested in. Although we are, in fact, a small independent production company, we have a beautiful project that I hope you both will see has immense promise. Also, if it’s any incentive whatsoever, we are known to have the best Tex-Mex this side of the border!
Please let me know if I can answer any further questions for you. I anxiously await your response.
Thank you,


Kimberly A. Suta,
Director

The FilmBaking Experience


This is my first post on the new FilmBaking Blog. I can't promise how useful this will be or even how much I'll be able to post, but I'll do my best. I've been reading a bunch of books, which I'll list here at some point but there are things... many things that come up along a filmmaker's journey that are not listed in the books and even if they are, well, sometimes they just don't apply to me. I'm sure others out there have similar blogs. Truth be told, I haven't searched for them yet, though maybe I will after this. More than anything this is a journal, for me, of my trials and tribulations of making my first feature film.

So what's my story?

I guess I think of myself mostly as a writer. I've been writing since I was like two years old... okay maybe not quite that young but I have a journal floating around out there in the ether - a pink and white Hello Kitty journal where I first began my forray as a writer... keeping tabs on all the crushes and cruelties of my fellow classmates. I was, maybe 7 or 8. I wrote poems about bubble gum and jellybeans. I was not the greatest writer but I liked it enough to keep trying. I didn't go to the right school probably to make the kinds of contacts I needed to get a head start in the world, and I didn't make enough of an effort to get published early on. I was insecure, intimidated and mostly, my words, my stories stayed safe inside my desk. But eventually I got over that and started sharing, started growing more confident, kept writing - now screenplays instead of novels, kept reading, began submitting my work to agents and competitions. Still, nothing really came of it. Finally I said, screw this, and decided I'd produce my own script. So I did. Thus was born The Theory of Everything, a 30-minute short, neo-noir film about the unrraveling of a relationship and a bit of a murder mystery. Here's the link, if you want to check it out:

http://www.veoh.com/browse/videos/category/drama/watch/v12038561cccfyT2n

I've done a few other things - commercials, documentaries but my heart lies in fiction. I came back to a short story turned script I wrote several years before, Ekstasis. At first I thought maybe I could do a play... that wouldn't be terribly expensive. So I started looking for actors and I found my Ekstasis in the actor/artist/beautiful spirit, Ukwanni Warumbe - a man who speaks five languages, has traveled the globe, is a mystic and a sage and not terribly far off from the 3,600 year old Alchemist. Then somehow along the way we all committed to making it into a movie... myself and the other three, amazing, producers. 

So here we are... I might skip around, but I'll try mostly to keep you posted on what I'm working on at the moment... let's just see how this goes...